Soprano Lucy Fitz Gibbon and pianist Ryan MacEvoy McCullough have been making music together since 2006, giving their first joint recital in Sacramento, California, in 2009. As both musical and life partners, Fitz Gibbon and McCullough bring an intimacy to their performances that speaks to their many years of collaboration. The husband-and-wife duo has performed throughout North America and Europe in such venues as New York's Merkin Hall, Park Avenue Armory, Metropolitan Museum of Art, and Di Menna Center; London's Wigmore Hall; and Toronto's Koerner Hall. Their growing joint discography includes forthcoming CDs with Albany Records (Descent/Return, featuring works by John Harbison and James Primosch, and another featuring the collected works of Sheila Silver alongside luminaries Dawn Upshaw, Stephanie Blythe, and Gilbert Kalish) and Acte Préalable (mid-century Polish art song).
Committed to the performance of contemporary works alongside the art song canon, Fitz Gibbon and McCullough have worked closely with emerging and established composers alike. Among the body of works dedicated to them are compositions by Niccolo Athens (Five Poems of Sara Teasdale), Dante De Silva (A Year of Strife), Andrew Hsu (Reticence), Anna Lindemann (The Colony), Pablo Ortiz (California Songs), and Alan Louis Smith (Surfing the Thin Places). They have also given premieres of works by John Harbison (Seven Poems of Lorraine Niedecker) and James Primosch (Descent/Return, The Pitcher, The Old Astronomer) and have worked closely with Sheila Silver on numerous projects. Through the guidance and research of musicologist Mackenzie Pierce, Fitz Gibbon and McCullough have given the US premieres of numerous works by mid-20th century Polish composers ranging from the early and late works of Roman Palester (Three Songs to Texts of Kazimiera Iłłakowiczówna, Monogramy) and a modern setting of 16th century religious texts (Tadeusz Kassern's Tryptyk żałobny), as well as songs by Grażyna Bacewicz and Alexander Tansman (Ponctuation Française). They have also brought new life to Milton Babbit's lyrical Du and Adela Maddison's lush Cinq mélodies, while championing long-form songs by Schubert (Viola, Vergissmeinnicht) and Prokofiev (The Ugly Duckling).
Committed to the performance of contemporary works alongside the art song canon, Fitz Gibbon and McCullough have worked closely with emerging and established composers alike. Among the body of works dedicated to them are compositions by Niccolo Athens (Five Poems of Sara Teasdale), Dante De Silva (A Year of Strife), Andrew Hsu (Reticence), Anna Lindemann (The Colony), Pablo Ortiz (California Songs), and Alan Louis Smith (Surfing the Thin Places). They have also given premieres of works by John Harbison (Seven Poems of Lorraine Niedecker) and James Primosch (Descent/Return, The Pitcher, The Old Astronomer) and have worked closely with Sheila Silver on numerous projects. Through the guidance and research of musicologist Mackenzie Pierce, Fitz Gibbon and McCullough have given the US premieres of numerous works by mid-20th century Polish composers ranging from the early and late works of Roman Palester (Three Songs to Texts of Kazimiera Iłłakowiczówna, Monogramy) and a modern setting of 16th century religious texts (Tadeusz Kassern's Tryptyk żałobny), as well as songs by Grażyna Bacewicz and Alexander Tansman (Ponctuation Française). They have also brought new life to Milton Babbit's lyrical Du and Adela Maddison's lush Cinq mélodies, while championing long-form songs by Schubert (Viola, Vergissmeinnicht) and Prokofiev (The Ugly Duckling).
UPCOMING PERFORMANCES:
June 2020 - Recital featuring works by Adela Maddison, William Grant Still, Florence Price, and Clara Schumann, The Stissing Center (Note: this concert will be live-streamed only.)
July 2020 - Made at Avaloch live-stream performance featuring works by Sheila Silver
August 2020 - Recital featuring works by Sheila Silver, Adela Maddison, and Clara Schumann, Music Barn on Deep Hollow (Note: this concert will be live-streamed in the event that an in-person performance is not possible.)
September 25, 2020 - Broadcast of PBS Great Performance's Now Hear This "The Schubert Generation." Viewable online until October 23.
November 10, 2020 - Joseph Engel's Yiddish Folk Songs (modern premiere) for the YIVO Institute for Jewish Research (digital premiere)
January 2021 - Die schöne Magelone, Harvard Musical Association
June 2021 - Alumna recital, SongFest
RECENT PERFORMANCES:
June 2020 - Works by Juliana Hall (live-stream); East Granby Make Music Day
June 2020 - Modern premiere of Moses Milner's 10 Children's Songs of Y.L. Peretz (live-stream) for the YIVO Institute for Jewish Research
June 2020 - Alumna recital, SongFest - RESCHEDULED DUE TO COVID-19
May 2020 - Alumni recital, Fall Island Vocal Arts Seminar - RESCHEDULED DUE TO COVID-19
February 2020 - Lecture-Recital for opening of Victorian Radicals at the Yale Center for British Art.
January 2020 - Sparks & Wiry Cries songSLAM Festival featured recital, DiMenna Center, NYC. Program includes works by Clara Schumann (Op. 13 and 21), Adela Maddison (Cinq mélodies), Alan L. Smith (Surfing the Thin Places), and Sheila Silver (Love is a magic ray).
November 2019 - Filming for PBS' Now Hear This, Season 2 Episode 4 (Premiere date Fall 2020)
September 2019 - Recording with recording engineer Judith Sherman of Sheila Silver's Beauty Intolerable for forthcoming CD, also featuring Dawn Upshaw, Stephanie Blythe, Kayo Iwama, Gilbert Kalish, and others
August-September 2019 - Premiere of Anna Lindemann's The Colony; University of Connecticut, Storrs
August 2019 - Residency at Avaloch Farm, recital at United Church of Penacook
July 2019 - Lecture-Recital, Yale Center for British Art
PRESS:
"At Bard College, Ryan McCullough plays the fourth movement of the piano sonata No. 19 before being joined by his wife, singer Lucy Fitz Gibbon, for the Schubert song "Suleika," which, like most of the music, is breathtaking." (Wall Street Journal, September 2020)
"Performances by the husband-and-wife team of Ryan MacEvoy McCullough and soprano Lucy Fitz Gibbon, who worked with both composers to realize this recording, are magnificent." (Broad Street Review, June 2020)
"This inaugural concert, entitled Out of Silence, for The Stissing Center began with Fitz Gibbon singing Six Lieder (1844) by Clara Schumann with McCullough at piano. Lucy possesses a marvelous natural soprano voice with effortless scale movement and warm, emotional texture. Her voice projects sincerity and delight. She [sang] as if German was her native language. As a team, Lucy and Ryan appear to enjoy lightening synchronicity. As a pianist Ryan plays with svelte, meditative flow." (Millbrook Independent, June 2020)
"Then Ms. Fitz Gibbon returned with her regular recital partner Ryan McCullough for Wuorinen’s A Song to the Lute in Musicke (1970, text attributed to pre-Elizabethan poet Richard Edwards). The duo is splendidly matched, and Mr. McCullough’s piano handling of the disparate lines is extremely sensitive. They continued with Babbitt’s Du (1951), text by August Stramm, who died at age 41, killed in action in WWI). This is the “oldest” music on the program. Stramm’s terse, darkly expressionist poems were fully inhabited by Ms. Fitz Gibbon, and here the musical language matched the sentiments well." (New York Concert Review, December 2018)
"Pianist Ryan MacEvoy McCullough and soprano Lucy Fitz Gibbon are a powerhouse duo with a dynamic and diverse repertoire, and their recitals always delight audiences with something new." (Lansing Star, February 2018)
